- Mailing List © Cowboy Junkies 2020Cowboy Junkies 2020.
- Cowboy Junkies Lincoln Theatre Raleigh, NC Feb 7, 2009. 16-bit/44.1khz. 01 Intro 02 Crossroads 03 Shining Moon 04 A Common Disaster 05 The Girl Behind The Man Behind The Gun 06 My Little Basquiat 07 Crescent Moon 08 Confessions Of Georgia E 09 Hold On To Me 10 Working On A Building 11 Rake. 12 Tired Eyes 13 Fairy Tale 14 Those Final Feet.
- Trinity Revisited. Released in 2007.
- Cowboy Junkies - Live at Iron Horse Music Hall bootleg (2007) Cowboy Junkies May 20, 2007 Early Show (7:00) Iron Horse Music Hall Northampton, MA Margo Timmins - Vocals Michael Timmins - Guitars Jeff Bird - Mandolin, harmonica, percussion, whispering Alan Anton - Bass Peter Timmins - Drums Disc #1 01 A Horse in the Country.
“Stranger Here” could be the story’s theme, the most rocking song on the CD (by Cowboy Junkies standards, that is. Howling, biting electric guitars and swirling organ mesh amongst lyrics of a hero.
~Release by Cowboy Junkies(see all versions of this release, 3 available)
Tracklist
| ▼ CD 1 | |||
|---|---|---|---|
| # | Title | Rating | Length |
| 1 | Blue Moon Revisited (Song for Elvis)
| 4 | 4:33 |
| 2 | Sweet Jane
| 4.2 | 3:40 |
| 3 | Misguided Angel
| 5 | 4:58 |
| 4 | I'm So Lonesome I Could Cry
| 3.75 | 5:30 |
| 5 | Rock and Bird
| 3:35 | |
| 6 | Sun Comes Up It's Tuesday Morning
| 4:01 | |
| 7 | Escape Is So Simple
| 5:20 | |
| 8 | Cause Cheap Is How I Feel
| 4:20 | |
| 9 | To Live Is to Fly
| 4:30 | |
| 10 | Murder in the Trailerpark
| 4:35 | |
| 11 | Southern Rain
| 4:55 | |
| 12 | Cowboy Junkies Lament
| 3:12 | |
| 13 | Anniversary Song
| 3:16 | |
| 14 | Cold Tea Blues | 2:51 | |
| 15 | Ring on the Sill
| 4:27 | |
| 16 | Hard to Explain | 4:42 | |
| 17 | A Horse in the Country
| 3:50 | |
Credits
CD 1
| fiddle: | |
|---|---|
| fiddle, harmonica and mandolin: | Jeff Bird (1987-11-27) (track 3) |
| drums (drum set): | |
| guitar: | Ken Myhr (tracks 10–11) Michael Timmins (tracks 10–12, 17) |
| bass: | |
| percussion: | Dave Houghton (track 17) |
| piano: | Spencer Evans (track 17) |
| accordion: | |
| composer: | Richard Rodgers (track 1) Lou Reed (track 2) Townes Van Zandt (tracks 9, 12) |
| engineer: | Bob Doidge (tracks 10–12, 17) |
| lyricist: | Michael Timmins (tracks 5–8) Lou Reed (track 2) Hank Williams(country music legend) (track 4) |
| mixer: | Peter Moore(Canadian producer and mastering engineer) (tracks 5–8, 10–12, 17) |
| producer: | Peter Moore(Canadian producer and mastering engineer) (tracks 5–8) |
| vocals: | Margo Timmins (1987-11-27) (tracks 1–4) |
| writer: | Ray Agee (track 16) |
| phonographic copyright by: | BMG Music Canada Inc. (1990) (tracks 5–8) |
| publisher: | Hiriam Music (track 4) Paz Junk Music (tracks 5–8) Sony/ATV Music Publishing (track 4) Sony/ATV Music Publishing (Germany) GmbH(2002-today) (track 4) |
| mixed at: | Eastern Sound in Toronto, Ontario, Canada (1989-12) (tracks 5–8) |
| recorded at: | Church of the Holy Trinity(Toronto) in Toronto, Ontario, Canada (1987-11-27) (tracks 1–4) Eastern Sound in Toronto, Ontario, Canada (1989-12) (tracks 5–8) |
| part of: | Huffington Post: 100 Best Canadian Songs Ever (number: 63) (track 3) Indie 88: Top 500 Indie Rock Songs (number: 492) (track 2) |
| cover recording of: | Blue Moon Revisited (Song for Elvis) (1987-11-27) (track 1) I’m So Lonesome I Could Cry (1987-11-27) (track 4) |
| is the basis for: | Vü föd ned (track 4) |
| recording of: | Anniversary Song (track 13) Cowboy Junkies Lament (track 12) Murder Tonight, In the Trailer Park (track 10) Southern Rain (track 11) Misguided Angel (1987-11-27) (track 3) Escape Is So Simple (1989-12) (track 7) Sun Comes Up, It's Tuesday Morning (1989-12) (track 6) |
| version of: |
Release
| ASIN: | US: B00005NH0L[info] |
|---|
Release Group
| Wikipedia: | en: Best of the Cowboy Junkies[info] |
|---|---|
| Discogs: | https://www.discogs.com/master/1091585[info] |
| Allmusic: | https://www.allmusic.com/album/mw0000011222[info] |
| Wikidata: | Q4897017[info] |
- 20-03-2019, 19:23
- 2016 | Country | Rock | HD & Vinyl
Artist: Cowboy Junkies
Title: The Trinity Session
Year Of Release: 1988/2016
Label: RCA / Analogue Productions
Genre: Alternative country, country rock, folk rock
Quality: DSD64 image (*.iso) 2,8 MHz/1 Bit (scans)
Total Time: 00:53:06
Total Size: 2.14 GB
WebSite: Album Preview
Title: The Trinity Session
Year Of Release: 1988/2016
Label: RCA / Analogue Productions
Genre: Alternative country, country rock, folk rock
Quality: DSD64 image (*.iso) 2,8 MHz/1 Bit (scans)
Total Time: 00:53:06
Total Size: 2.14 GB
WebSite: Album Preview
Tracklist:1. Mining for Gold 01:30
2. Misguided Angel 04:56
3. Blue Moon Revisited (Song for Elvis) 04:31
4. I Don’t Get It 04:34
5. I’m So Lonesome I Could Cry 05:28
6. To Love is to Bury 05:16
7. 200 More Miles 05:29
Cowboy Junkies Sweet Jane
8. Dreaming My Dreams with You 04:309. Working on a Building 03:46
10. Sweet Jane 03:39
11. Postcard Blues 03:23
12. Walkin’ After Midnight 06:03
Best Cowboy Junkies Albums
Cowboy Junkies Youtube
The music was recorded inside Toronto’s Church of the Holy Trinity on 27 November 1987, with the band circled around a single microphone. The album includes a mixture of original material by the band and covers of classic folk, rock, and country songs. Notable amongst the covers is the band’s most famous single, a cover of The Velvet Underground’s “Sweet Jane”, based on the version found on 1969: The Velvet Underground Live, rather than the later studio version from Loaded. Also included is “Blue Moon Revisited (Song for Elvis)”, which is both a cover and an original, combining a new song by the band with the pop standard “Blue Moon”.
The album was released in early 1988 on Latent Records in Canada, and re-released worldwide later in the year on RCA Records. “Working on a Building” and “Blue Moon Revisited (Song for Elvis)” did not appear on the Latent Records release. “Blue Moon Revisited” was originally released on It Came from Canada, Vol. 4, a compilation of Canadian independent bands.
In 2007, the album was performed live in its entirety as part of the All Tomorrow’s Parties’ Don’t Look Back series. Also that year, the band returned to The Church of the Holy Trinity to record a new version of the Trinity Session with guest musicians Natalie Merchant, Vic Chesnutt, and Ryan Adams. This new set of recordings was released as Trinity Revisited, to commemorate the 20th anniversary of The Trinity Session.
According to website Acclaimed Music, the album is the 946th most acclaimed album ever released. It was named the 42nd best album of the 1980s by Pitchfork Media in 2002 and the 36th best Canadian album by Chart in 2000. It was also ranked 62nd in Bob Mersereau’s book The Top 100 Canadian Albums in 2007. In 2015, the album was named the winner in the 1980s category of the inaugural Slaight Family Polaris Heritage Prize, an annual Canadian music award for classic albums released prior to the creation of the Polaris Music Prize.
The album was released in early 1988 on Latent Records in Canada, and re-released worldwide later in the year on RCA Records. “Working on a Building” and “Blue Moon Revisited (Song for Elvis)” did not appear on the Latent Records release. “Blue Moon Revisited” was originally released on It Came from Canada, Vol. 4, a compilation of Canadian independent bands.
In 2007, the album was performed live in its entirety as part of the All Tomorrow’s Parties’ Don’t Look Back series. Also that year, the band returned to The Church of the Holy Trinity to record a new version of the Trinity Session with guest musicians Natalie Merchant, Vic Chesnutt, and Ryan Adams. This new set of recordings was released as Trinity Revisited, to commemorate the 20th anniversary of The Trinity Session.
According to website Acclaimed Music, the album is the 946th most acclaimed album ever released. It was named the 42nd best album of the 1980s by Pitchfork Media in 2002 and the 36th best Canadian album by Chart in 2000. It was also ranked 62nd in Bob Mersereau’s book The Top 100 Canadian Albums in 2007. In 2015, the album was named the winner in the 1980s category of the inaugural Slaight Family Polaris Heritage Prize, an annual Canadian music award for classic albums released prior to the creation of the Polaris Music Prize.