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1. Miroslav Philharmonik 2 Manual Iso
2. Ik Miroslav Philharmonik
3. Miroslav Philharmonik 2 Manual Digital

Loaded with over 55GB of top-quality content and over 2,500 instruments sampled to perfection, IK Multimedia's Miroslav Philharmonik 2 is an absolute must-have tool for any modern composer. From strings to woodwinds, brass to percussion, Miroslav Philharmonik 2 covers all of the timbres and articulations you could ask for. Ik Multimedia Miroslav Philharmonik Mac Keygens Projector Edge Blending Software Windows 98 Ita Torrent Elsawin 5.3 installation. Automotive Library audi elsawin audi elsawin v6.0 2017 cars-trucks parts catalogues parts manual repair manual service manual software wiring diagram workshop manual ELSAWIN VERSION 6.0 AUDI DATABASE FULL 03.2017.

MIROSLAV PHILHARMONIK CUSTOM RULES
EDITED 2012.08.18
After some time of tuning and tweaking the Miroslav library, I decided to put together a set of rules and presets for Miro. Changes are not so drastic, but the important thing is the implementation of more techniques and effects like glissandos and fluttertongue even in instruments that didn't had that particular recorded sample. For that matter, it wasn't enough just to code the rules, and most of the presets needed to be edited. So, I managed to fix the missing Bass Clarinet, all wind instruments have fluttertongue -either by a recorded sample or a tremolo effect if no sample existed-. Strings and some winds (clarinet, brass) are able to do portamento-style glissandos, with or without tremolo / flutter. All strings have sordino and sul ponticello sounds. Articulation is more precise: staccatos under a slur aren't played as staccatos but as detaché / mezzo-staccato, end of slurs are slightly shorter and softer, and non-slur notes are slightly detaché, to improve phrasing, and dynamics were fine tuned.
Please, all comments are welcome, specially if you have questions, or think that something could be improved.
To use the rules, it's necessary to replace the content of the folder:
(programs)/notion 3/support/PlugInData/PLK
with the PLK folder in the .rar file.
Download
Please, backup your current rules and presets before using these.
Also, thanks to pcartwright, dgriffee and Erufalion for their contribution to these forums . I'd be lost if it wasn't for their work on Rules.
USAGE:
The rules are pretty automatic. Only the Glissandos/portamento effects need some tweaking to work properly.
HOW TO CREATE REALISTIC GLISSANDOS/SLIDES:
With these rules, instruments in Miroslav can play seamless glissandi (portamento) between two or more notes and at 3 different speeds. But In order to work, the following conditions are required:
-The notes must be linked by the Slide up or Slide Down lines, from the palette (shortcut ')
-At least the LAST note has to have one of these techniques attached to it (of course the attachments can be hidden):
'slide' for quick slides.
'gliss. up' or 'gliss. down' for normal portamento
'gliss. up slow' or 'gliss. down slow' for slow portamento.
-The notes must overlap for portamento to work, so it's necessary to edit their durations by dragging the gray lines in the Sequencer Overlay. Actually, a realistic glide is achieved by antecipating the second note, otherwise the glissandi starts too late.
Here you can see how to write the glissandi so they work:
NEW: SOLFEGE CHOIR
A split M/F choir that spells NOTE NAMES!
I edited the MIXED CHOIR preset and created rules so the Choir now sings note names! I want to believe I thought about an educational tool and also a choir that sounds more realistic and dramatic by spelling different sylabes thru the melodies. And also as a better alternative to 'Vocal' for song writing. But the truth is that I did this for FUN!
To tell the choir to say the notes, you have to place a 'custom sounds 1' technique marking (done by typing Apostrophe then S and 1). Otherwise the Choir just sings 'Ah' as usual. You can use the 'normale' technique to 'turn off' note names anytime.
This is how it sounds:
DETAILED LOG:
Here I provide detailed information on what was done with the original rules and presets.
BASS CLARINET FIXED :
-Fixed the absent Bass Clarinet problem by 'hacking' a byte in the Bass Clarinet preset file!
[Note: previously, there was no Bass Clarinet, and there were 2 Clarinet presets in the Miroslav instrument list in Notion, because the instrument-id inside the file was set to 12004 (clarinet) instead of 12051. I didn't know how to fix it by other means .]

Miroslav Philharmonik 2 Manual Iso

FRENCH HORN:
-A FF horn sample was set in channels 15 and 16, triggered by high velocities only, as a layer to brighten horn sounds in forte to fortissimo dynamics.
CLARINET TRILLS:
[Note: the Clarinet is the only Miroslav instrument that has both 1/2 and 1 step trills samples. All the other instruments have to do played trills]
-Added trill samples to channels 15 and 16 of the clarinet preset file. Had to Tune up the whole trill using the Miroslav interface tuning, because the starting note was 75 cents lowert a quarter tone lower. Maybe it has been expanded digitally.
-Added a rule to play the sampled trills (only on the clarinet).
TREMOLO / FLUTTERTONGUE
-Added channel 11 with digital tremolo effect to simulate tremolo/fluttertongue/roll to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, trombones, trumpet, trumpets, oboe, oboes, bassoon, english horn, bassoons. [*An LFO could be used in the future for more precise control of this tremolo]
-added channel 11 with Flute fluttertongue sound to the Piccolo preset.
-Added a rule to also play tremolo (switch to channel 11) when 'fluttertongue' technique is written on the score.
GLISSANDOS:
-Added channels 4 and 5 with Miroslav 'legato' mode (for portamento), and mapped Portamento (Gliss) control to CC20 in those channels, to the following instrument presets: clarinet, bass clarinet, trombone, bass trombone, violin, viola, violas, violoncello, cellos, contrabass, double basses, clarinets, trombones, trumpet, tuba, fr. horn, trumpets
-Channel 5 was created in most instruments for tremolo/flutter glissando. Again, added a digital tremolo effect to the channel if no tremolo/flutter sample was available.
-Added rules to play portamento (for clarinet, strings and brass glissandos and timpani glides). Rules may work with any instrument that can do slides as far as the channels 4 and 5 are set up in the presets.
PHRASING / ARTICULATION:
Added rule to shorten and soften notes at the end of slur. This works fine to separate phrases, breaths and bows. (Thanks dgriffee for his work on the general phrasing rules).
Added rules to play staccato under slur as detaché/mezzo-staccato. [note: in most instruments, slurred staccato means mezzo-staccato. In bowed strings it means detaché notes using a single bow stroke. This rule works fine in all cases]
Added rules to play non-slurred note as detaché, reducing its duration a little.
MORE STRING TECHNIQUES:

Ik Miroslav Philharmonik

Added channels 12 (mute) and 13 (mute staccato) with the best possible sounds to all string instruments.
Added channels 14 (sul ponte) and 15 (sul ponte tremolo) with the best possible sounds to the strings.
**If no mute or ponticello sample existed, a normal sound was equalized to simulate these techniques.
FURTHER NOTES AND MIROSLAV LIMITATIONS:
Octave transposition in instruments like Piccolo, Double Bass, Tuba, etc. isn't working right away, even with the original rules and presets. The octave transposition is set correctly in the Staff Settings dialog, but it only takes effect is the user opens and closes the dialog. I don't know how to fix it.
Viola doesn't have a looped tremolo but a sound was created using an effect. Timpani doesn't have a looped roll, only crescendo short rolls, and the tremolo effect doesn't work in this case.
-Emilio Le RouxHello,

Miroslav Philharmonik 2 Manual Digital

I have been messing around with MP 2 CE in Reaper, successfully adding a track for the VSTi, and letting REAPER create 16 audio tracks for all audio outputs. Also, from the FX dialogue, I have selected 'Build 16 channels of MIDI routing to this track'. Everything has gone well, I have created MIDI data, which plays back on the correct channels. Now, I want to transform the MIDI data into audio. Loading up the VSTi has created all the necessary audio tracks, as I mentioned, and the correct routings, however, when trying to record the MIDI tracks into the audio ones, the microphone of my laptop takes over. I am clearly missing something, which I cannot figure out. I have watched several videos on YouTube, some of them about MP 1, that has got the ability to actually select which audio output the different MIDI channels can be routed to, something that has been removed from MP2. I would appreciate very much, if anybody could inform me of what the missing bits are, thank you